Unclassified Reflections D

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Waterless Lithographs made to commemorate the 200th anniversary of Senefelder's invention of lithography. “Waterless” lithography is a late 20th Century development in printing from grained stones or metal plate plates.

Artist: Gordon Gilkey

Medium: Lithograph (Waterless Lithograph)

Location: 2 floor, #55.4 on the map

Series: Unclassified Reflections

Unclassified Reflections C

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Waterless Lithographs made to commemorate the 200th anniversary of Senefelder's invention of lithography. “Waterless” lithography is a late 20th Century development in printing from grained stones or metal plate plates.

Artist: Gordon Gilkey

Medium: Lithograph (Waterless Lithograph)

Location: 2 floor, #55.3 on the map

Series: Unclassified Reflections

Unclassified Reflections B

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Waterless Lithographs made to commemorate the 200th anniversary of Senefelder's invention of lithography. “Waterless” lithography is a late 20th Century development in printing from grained stones or metal plate plates.

Artist: Gordon Gilkey

Medium: Lithograph (Waterless Lithograph)

Location: 2 floor, #55.2 on the map

Series: Unclassified Reflections

Unclassified Reflections A

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Image: 

Waterless Lithographs made to commemorate the 200th anniversary of Senefelder's invention of lithography. “Waterless” lithography is a late 20th Century development in printing from grained stones or metal plate plates.

Artist: Gordon Gilkey

Medium: Lithograph (Waterless Lithograph)

Location: 2 floor, #55.1 on the map

Series: Unclassified Reflections

Pulp Ponds

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Artist: Mark Abrahamson

Medium: Cibachrome

Dimensions: 23.5″ × 15.75″

Location: 2 floor, #54 on the map

Strawberry Field #5

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Artist: Mark Abrahamson

Medium: Cibachrome

Dimensions: 23.5″ × 15.75″

Location: 2 floor, #53 on the map

Cul De Sac

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Artist: Mark Abrahamson

Medium: Cibachrome

Dimensions: 23.5″ × 15.75″

Location: 2 floor, #52 on the map

Linonophobia

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Initially I approached the subject of phobias wanting to make images that were haunting and at the same time investigate the psychological aspects of fear. What I discovered through the process of researching and making pictures is there exists well documented cases of many different and quite specific types of fears ranging from allumiphobia, fear of garlic, to zephyraphobia, fear of bridges.

Artist: Susan Seubert

Medium: Print (Platinum Print)

Dimensions: 14″ × 11″

Location: 2 floor, #51 on the map

Pediophobia

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Initially I approached the subject of phobias wanting to make images that were haunting and at the same time investigate the psychological aspects of fear. What I discovered through the process of researching and making pictures is there exists well documented cases of many different and quite specific types of fears ranging from allumiphobia, fear of garlic, to zephyraphobia, fear of bridges. I was intrigued by the nature of these fears, how something like Homophobia can be so widespread and accepted but Limonophobia, fear of string, could be seen

Artist: Susan Seubert

Medium: Print (Platinum Print)

Dimensions: 14″ × 11″

Location: 2 floor, #50 on the map

Chronophobia

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Initially I approached the subject of phobias wanting to make images that were haunting and at the same time investigate the psychological aspects of fear. What I discovered through the process of researching and making pictures is there exists well documented cases of many different and quite specific types of fears ranging from allumiphobia, fear of garlic, to zephyraphobia, fear of bridges. I was intrigued by the nature of these fears, how something like Homophobia can be so widespread and accepted but Limonophobia, fear of string, could be seen

Artist: Susan Seubert

Medium: Print (Platinum Print)

Dimensions: 14″ × 11″

Location: 2 floor, #49 on the map

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