Pillar of Sea

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Artist: Martha Wehrle

Medium: Mixed (Copper, Eggshell, Wood, and Casein)

Dimensions: 56″ × 11″ × 6″

Location: 5 floor, #111 on the map

Crow #5 – 1995

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I began to feed the crows in a grocery store parking lot with old bread from the store, the birds very close and very active, and I became fascinated with the incredible complexity of their abilities to move and the exaggerated contortions of their bodies as they interacted. During these feedings I often drew and then photographed, shooting randomly into the masses of birds. From these drawings and photographs I produced a large number of dry points. Of these I chose nine and

Artist: Frank Boyden

Medium: Bronze

Location: 5 floor, #110 on the map

Crow #4 – 1995

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I began to feed the crows in a grocery store parking lot with old bread from the store, the birds very close and very active, and I became fascinated with the incredible complexity of their abilities to move and the exaggerated contortions of their bodies as they interacted. During these feedings I often drew and then photographed, shooting randomly into the masses of birds. From these drawings and photographs I produced a large number of dry points. Of these I chose nine and

Artist: Frank Boyden

Medium: Bronze

Location: 5 floor, #109 on the map

Crow #2 – 1995

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I began to feed the crows in a grocery store parking lot with old bread from the store, the birds very close and very active, and I became fascinated with the incredible complexity of their abilities to move and the exaggerated contortions of their bodies as they interacted. During these feedings I often drew and then photographed, shooting randomly into the masses of birds. From these drawings and photographs I produced a large number of dry points. Of these I chose nine and

Artist: Frank Boyden

Medium: Bronze

Location: 5 floor, #108 on the map

Judgement

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Most of Hiratsuka's work is done by the intaglio printmaking process. This involves etching, drypoint, aquatint, softground and roulette on the copper plate. He uses a four-color printing process on Japanese paper. As in the French use of the technique of Chine Colle, Hiratsuka applies glue to the back of the completed work and passes it through the press with heavier rag paper beneath.

Artist: Yuji Hiratsuka

Medium: Mixed (Mixed Printmaking)

Dimensions: 50″ × 61″

Location: 5 floor, #101 on the map

Crease

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Textiles have always fascinated me. Vintage cloth, torn, tattered and threadbare, quilts, old cloths, coverlets; these cloths each tell their own story. They suggest dreams: dreams of their maker and of their wearer. These cloths are personal, provocative. I approach the making of a tapestry in the same way. My tapestries are personal, narrative and symbolic. Modern Antiquities of a sort.

Artist: Shelley Socolofsky

Medium: Tapestry (Gobelin Tapestry)

Dimensions: 3.5′ × 7′

Location: 5 floor, #106 on the map

Kampher's Lot – 1997

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These paintings all form from images and objects that attract me. Once that spark has been made, the painting flows and culminates into its own world. Very few paintings are pre-planned compositions and are therefore complicated for me to explain in detail. The painting is finished when it forms itself through transitions in color, mood and texture. I want to say it is finished when the painting matches the images in my head, but I believe it is more of a feeling I get from the piece than a replica of a preconceived composition. When it is complete,

Artist: Tyson Grumm

Medium: Acrylic (Acrylic on Paper)

Location: 5 floor, #105 on the map

Browning's Neighbor – 1997

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These paintings all form from images and objects that attract me. Once that spark has been made, the painting flows and culminates into its own world. Very few paintings are pre-planned compositions and are therefore complicated for me to explain in detail. The painting is finished when it forms itself through transitions in color, mood and texture. I want to say it is finished when the painting matches the images in my head, but I believe it is more of a feeling I get from the piece than a replica of a preconceived composition. When it is complete,

Artist: Tyson Grumm

Medium: Acrylic (Acrylic on Paper)

Location: 5 floor, #104 on the map

Port of M. Munger – 1997

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These paintings all form from images and objects that attract me. Once that spark has been made, the painting flows and culminates into its own world. Very few paintings are pre-planned compositions and are therefore complicated for me to explain in detail. The painting is finished when it forms itself through transitions in color, mood and texture. I want to say it is finished when the painting matches the images in my head, but I believe it is more of a feeling I get from the piece than a replica of a preconceived composition. When it is complete,

Artist: Tyson Grumm

Medium: Acrylic (Acrylic on Paper)

Location: 5 floor, #103 on the map

County Line – 1997

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These paintings all form from images and objects that attract me. Once that spark has been made, the painting flows and culminates into its own world. Very few paintings are pre-planned compositions and are therefore complicated for me to explain in detail. The painting is finished when it forms itself through transitions in color, mood and texture. I want to say it is finished when the painting matches the images in my head, but I believe it is more of a feeling I get from the piece than a replica of a preconceived composition. When it is complete,

Artist: Tyson Grumm

Medium: Acrylic (Acrylic on Paper)

Location: 5 floor, #102 on the map

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